Still Life

Every think about Public Art? by Melissa Hefferlin

Public Art is something the USA does only erratically. Well-placed public art can unify and focus a community. The Statue of Liberty is a piece of public art. The Eiffel Tower. Abraham Lincoln in Washington DC. These pieces of art bind us together, and make public space welcoming to each visitor. “Look,” the art says, “we hoped you would be here. Welcome.”

(You can get it wrong. In our Spanish village our station for the bullet trains has a large sculpture outside: a high tower of dirty and broken suitcases. The message the sculpture conveys about their freight handlers is alarming, and the station gets a C- for trying. It is at least a reliable conversation piece.)

Directly above, the tower of decaying luggage. RENFE station, Antequera Santa Ana, Spain

Thirty-three years ago my husband, recent MFA graduate Daud Akhriev from Ingushetia, agreed to emigrate with me to the USA. (How we met is another, wonderful, story.)

Very shortly upon arrival, a Seventh-Day Adventist congregation engaged his services for a large mural in their new community hall. As conservative protestants, Adventists had been against church ornamentation, so this was a real surprise, and a windfall. We were broke.

He completed the painting at exactly the time his family’s home in the former Soviet Union was hit by a shell in a civil war. His salary for the mural paid for their new home. Even though once again we were broke, we were also filled with gratitude for having been able to rescue his family from homelessness. It felt like a miracle.

I really like the painting, as does its congregation. Every time I see or think of that painting I fell blessed.

That’s what I have to say today about public art.

Do you have a favorite piece of public art in your community? I’d love to hear about it.

Daud Akhriev, “Wedding at Cana” 18 x 9 ft, oil on linen, at the Collegedale Seventh-Day Adventist Church in Tennessee.

Happy New Year from the studio by Melissa Hefferlin

I enjoyed my studio time in 2023 more than ever in the past. A gift of tail feathers has provided endless fodder for compositions, many of which will be debuting at our exhibition, “Parallel Journeys,” at Cutter & Cutter Fine Art on January 26th.
This is a little video of the painting I finished on New Year’s Eve, so my last of 2024. It was a puzzle for me to fit in the weave of the antique silk damask from Rabat, as well as the embroidery on top of the silk. Not to mention the iridescent feathers and glass. Weirdly, the way I found to represent the super-refined textures was through rough, direct brushwork, sometimes with canvas peeking through. I have not worked this way in decades. I’d love to hear what you think!!! Click here to email me your reaction, and your 2024 plans : )

New book, “Parallel Journeys,” will debut in person at the exhibition of the same name, but is also available to order HERE.